I am an Associate Professor of French at Rutgers University (New Jersey, USA).

My teaching interests range from the Old Regime to the French Revolution and explore the boundaries between passions and politics.

I left France in 2006 after I passed the concours to become a professor of Literature (CAPES and Agrégation de Lettres Modernes). I was granted a Fulbright fellowship to study in the USA.

I now hold a PhD from Stanford University (2013). My dissertation [A Revolution in Rhetoric: Claiming the Authority to Speak in Early Modern France (1643-1793)], explored the intersection between politic, religious and theatrical texts through the lens of “declaration.” I also hold a PhD in Literature and Stylistics from Paris IV Sorbonne (2012) [Dire et ne pas dire. Du silence éloquent à l’énonciation tragique des déclarations d’amour chez Racine]. This study focused on the implications of the unsaid in Racine’s dramaturgy.

Crédits photo, Bénédicte Roscot

Education

Licence, Maîtrise, DEA, Université Paris IV Sorbonne
Agrégation et CAPES de Lettres Modernes
Doctorat, Paris IV Sorbonne (2012)
PhD at Stanford University (2013)

Fields of Research

Feminist Theory (notions of agency, consent and resistance)
Theater (from the Antiquity to the 21st century) and Performance Theory
Focus on Racine and Early Modern Theater
Ghosts and Mourning in Old Regime
Eloquence of silence
Rhetoric of Human Rights
Motherhood and Childhood in Old Regime
The Sancho Project @Rutgers (with Rebecca Cypess)

My new book “Au NON des femmes. Libérer nos classiques du regard masculin” (Paris, Seuil, 2023) investigates how the “male gaze” prevailed in establishing the French canon and its reception. By selecting authors deemed essential to our literary heritage (patrimoine culturel) and by erasing the works of women writers, the patriarchal gaze also undervalued female agency in well-known works of fiction such as Andromaque, La Princesse de Clèves or Little Red Riding Hood. My close reading of early modern memoirs, fairy tales, novels, and plays reveals that many female refusals (be they historical or fictional) remain obscured. My study also unveils women’s resistance at a time when galanterie was at once a means of seduction and an ideal shaped by both men and women. If nowadays galanterie is under attack and if the #MeToo movement has brought questions of female agency and consent to the fore, this book retraces an “archive of refusal” as a possible source of inspiration to invigorate feminist discourse and change our reception of the French canon. Surprisingly, heroines of the Grand Siècle can empower us with accounts of their struggle and help us reclaim an undervalued literary matrimoine

Couverture du livre, éditions du Seuil
Couverture du livre, éditions Droz

My monograph on Racine (Le Silence trahi. Racine et la déclaration tragique, Genève, Droz, 2018) reflects upon the notion of dramatic silence. Whether it results from a deliberate strategy or an inability to speak, silence is core to political ambitions, codes of civility, theatrical bienséances as well as religious practices. It represents the betrayal of an intention that needs to be clarified and that feeds the spectator’s interest. My study argues that Racinian tragedies represent the fight against an unbearable confession. Long hidden, concealed, unrevealed, it has devastating effects once it is unveiled. Drawing on this permanent tension between silence and declaration, Racine’s dramaturgy undermines the beautiful structure of Aristotelian poetics and imposes a new vision of the tragic.

Fellowships and Grants

Spring 2021: Humanities Plus Award for envisioning a podcast series on Women’s Empowerment for a new course called ‘‘How the French Invented The Female Gaze: Early Modern Fairy Tales and Their Legacy’’

Summer 2021: Recipient of the COVID Impact on Scholarly Productivity Faculty Grant Program 

Spring 2020: Presidential Fellowship For Teaching Excellence, Rutgers University

Spring 2019: Laura Bassi Fellowship (Book subvention)

Summer 2017: Research Council Grant, Rutgers University

2012-2013: Geballe Dissertation Prize Fellowship, Stanford Humanities Center

2006-2007: Fulbright Fellowship

2005-2006: Bourse d’Agrégation (French merit-based government scholarship)